Cellarhouse produce dark electronica that aims to push the boundaries of music tech and AI generated software by fusing human performance and composition with AI generative software.
From all corners of the world: a project that explored the early limitations of AI music production, developing and exploiting generative music software whilst perfecting the ideal wood-fired pizza and laid back tunes. The Cellarhouse sound could be described as eclectic electro-house fused with ambient sub textures, with layers of liquid chill.
Aside from being lifelong musicians and producers, the project was led by an academic, who over the years immersed himself in the emerging tech of early analogue synths, samplers and finally early AI.
Rob’s musical career is centred around synthesis and post punk electronica:
While earlier projects delved into the experimental, Cellarhouse's latest album That Was marks a departure toward a more cohesive, atmospheric soundscape. From the brooding pulse of "Night Train" to the rhythmic complexity of "Party" (featuring Mollie Maid), the album balances industrial grit with "old-school" orchestral electronic brilliance.
"We aren't looking to replace human artistry; we are looking to augment it," says vocalist PJ. "That Was is the culmination of that vision—a dark, immersive experience that feels both futuristic and deeply personal."
Album Highlights:
"Comfortable": A lush, down-tempo opening that sets the album's moody tone.
"Party" (feat. Mollie Maid): An expansive 7-minute exploration of dark-electro rhythm.
"Last Night at the Temple": A cinematic closer that highlights the band's signature "dark light" aesthetic.
Hailing from the UK, USA, and Spain, CellarHouse is a mysterious collective dedicated to unconventional electronic music. All are professional session musicians and ghostwriters for other artists/bands.
The Cellarhouse Contributors:
Sax: Manuel Trabucco Trumpet: Mykhailo Kobets Bass:Yves Delice Vocals: A.I.Leen, Fahia, Odili Ifeanyi & Mollie Maid Keys & Production: Jezz Wright